WEIRD JUNGLE
ENGINEER PROFILES

Stephen Kerrison

Stephen Kerrison is a mastering engineer based out of his Liverpool studio, Tall Trees Audio Mastering, whose credits include work for Moshi Moshi Records, Maple Death Records, PRAH Recordings, Rocket Recordings and Human Worth Records. His many years experience as a working musician, coupled with an almost obsessive, life-long love of music has earned him a skill set that enables him to work empathetically alongside musicians with full understanding and respect for their artistic process and vision.

This approach and dynamic has resulted in his reputation as a trusted mastering engineer growing steadily over the past few years. Stephen knows from personal experience how much making a record means and how much it takes, and as such treats mastering every record with nothing but the utmost care and deference.

A champion of the left-field, but absolutely partial to a pop banger, the intersection between the creative and technical is where Stephen feels most at home.

Ancient Plastix

Ancient Plastix

produced BY 
Paul Rafferty
Mixed BY 
Paul Rafferty

Petbrick

Liminal

Experimental
produced BY 
Wayne Adams
Mixed BY 

Lleo

am i making sense?

Pop
produced BY 
Lleo
Mixed BY 
Gaz Gwyn & Sam Cramer

Dune Boy

We Can Go There If You Want?

Rock
produced BY 
Paul Rafferty
Mixed BY 

Please 2003

I Live With My Dad

Pop
produced BY 
Mixed BY 
Zach Bloomstein

Buggs

Mother

Pop
produced BY 
Mixed BY 
Mathew Keightley

Goldblume

Sleep On Your Side

Rock
produced BY 
Mixed BY 
Matty Moon

Lizard

Back Again

Jazz
produced BY 
Noah Ottman
Mixed BY 

Iran Iran

Previously, on Iran Iran

Rock
produced BY 
Tom Peters
Mixed BY 

From Humans to Hydra

Howl

Pop
produced BY 
Sam Jump & Sam Turner
Mixed BY 
Carl Bahner

Idle Lies

20

Rock
produced BY 
Joe Sage
Mixed BY 

Kitty Fitz

I Want Your Love (Oh My God!)

Pop
produced BY 
Kitty Fitz
Mixed BY 
Joseph Futak

Puzzle

Halfway Home

Rock
produced BY 
Paul Rafferty
Mixed BY 

Olanza

Olanza

Rock
produced BY 
Wayne Adams
Mixed BY 

Joel Harries

Maybe I Won't Have To Feel That Way Again

Folk
produced BY 
Joel Harries
Mixed BY 

Más Hangok

Contemporary Man

Electronic
produced BY 
Guoda Dirzyte
Mixed BY 

Matt Woosey

Compass and the Sand

Folk
produced BY 
Tarrant Shepherd, Matt Woosey
Mixed BY 
Tarrant Shepherd

Friend

Champion

Rock
produced BY 
David Curle
Mixed BY 

Lleo

Serotonin

Pop
produced BY 
Tyreeq DeMarious, Jamie Sellers, Lleo
Mixed BY 
Sam Cramer

Emmélin

Ripple of Still

Jazz
produced BY 
Joy Stacey, Emma Sand
Mixed BY 
Joy Stacey

Lucy Wroe

Same World

Pop
produced BY 
Tom Berry
Mixed BY 

Yama Warashi

Crispy Moon

Experimental
produced BY 
Yoshino Shigihara, Kristian Craig Robinson
Mixed BY 
Hannes Plattmeire, Cathy Lucas

Slow Science

Sham Laws

Sham Laws

Rock
produced BY 
Tom Peters
Mixed BY 

Charles Watson

Yes

Pop
produced BY 
David Glover, Rob Jones, Charles Watson
Mixed BY 
Rob Jones

Oompa

UNBOTHERED

Hip-Hop
produced BY 
Dephrase
Mixed BY 
Dan Babai

Maisie Johnson

Maisie Johnson

Folk
produced BY 
Charlie Deakin-Davies
Mixed BY 
Charlie Deakin-Davies

The Last Vinci

The Revolution Is Made Together

Rock
produced BY 
Tom Peters
Mixed BY 
Tom Peters

Silent Sleep

Stay the Night, Stay the Morning Too

Folk
produced BY 
Robert Whiteley
Mixed BY 

Doomshakalaka

Doomshakalaka

Rock
produced BY 
Paul Rafferty
Mixed BY 
Paul Rafferty

Roxy Girls

A Wealth of Information

Rock
produced BY 
Ronan Fay
Mixed BY 
Ronan Fay

Bicurious

(re)constructed

Rock
produced BY 
Tom Peters
Mixed BY 
Tom Peters

ROCH

Confide In Me

Rock
produced BY 
Kate Miller
Mixed BY 
Andrew Hung

Modern Technology / 72%

Lorn / Drowning in a Sea of Bastards

Rock
produced BY 
Wayne Adams / Joel Harries
Mixed BY 
Joel Harries

Annie Gardiner

Bloodletting

Folk
produced BY 
Annie Gardiner
Mixed BY 
Annie Gardiner
Stephen worked on my debut solo album 'Bloodletting' as Mastering Engineer. Having written, recorded and produced this record myself, I needed at least someone to help pass the finishing post. Stephen mastered this album for vinyl and stream so beautifully and was sympathetic to the style and intimacy of the work. Not only that, he was committed to every moment of problem solving with me while we had to work remotely, which I really appreciated. Stephen made the finishing of this work easy, enjoyable and helped me a long way to appreciating what I'd made. I couldn't recommend working with Stephen more highly.
annie gardiner

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